September 3rd, 2014 •

I don’t have much to add to the discussion of Amazon vs Hachette, since this issue has been well covered by people much more knowledgeable than I about the publishing industry. While it’s easy to get emotional and take sides, John Scalzi, who tends to be very thoughtful and rational in his analyses, has a good, balanced take on this complicated issue. I also recommend Christopher Wright’s take. He too dumps a little cold water on anyone who would see one side or the other as “evil” in this situation.

The case does, however, bring to mind a bigger issue related to this fight: the desire of publishers to set their own prices. In general, the big publishers have been fighting to keep prices higher, and this strikes me as short-sighted.

First, as Wright points out, ebooks both cost less to produce and are inherently worth less to a consumer than are physical books. You can’t lend them1, and there is no second-hand market on which you can sell them after you’ve finished them. So on the face of it, keeping prices of ebooks so close to the hardback price seems inapropriate. I will acknowledge that keeping prices high for a limited time after release is more reasonable, since new titles are always in greater demand, but I would still argue that prices for ebooks, both at release and after, are on average too high.

But that’s just theory. Hmm, if only there was another creative industry that had gone through a similar struggle in the transition from hard-copy to virtual and could shine some light on what the sales options might be for for this new paradigm…Wait a minute. Inflated prices? Resistance to new technologies? DRM? Ring any bells??

Yes, we’ve been down this road before with the music industry, and how did that work out? It basically trained an entire generation that the value of music is $0.00. Young people in the 1990s were willing put up with the hassle of downloading large files of unknown quality over slow, pre-broadband connections in order to get their music for free. That books are less popular than music would seem to be an unenviable position, yet it appears to be the main advantage the publishing industry has, in that people are far less likely to go through the trouble of stealing books. But now that a generation has grown up doing the bulk of their reading on screens, and so many readers have tablets that are great reading devices, the underground market for ebooks is bound to grow.

So what can publishing learn from this? It’s clear that the music industry is moving, kicking and screaming, to a subscription model. It’s probable that the publishing industry will have to go the same way. But before music downloads were overrun by streaming, there were some experiments in pricing that may be instructive to a publishing industry that is attempting to stave off that inevitability.

As Bezos points out in his letter to readers, since the marginal cost of an ebook is zero, lower prices can mean more profit. Bezos’ statement is, of course, self-serving and thus suspect, but we don’t have to take his word for it. Even though big music publishers aren’t willing to accept it, lowering prices has worked for digital music. When online music service Rhapsody experimented with cutting prices in half, they saw sales triple. That extra 50% in revenue is all profit since the marginal cost of selling a digital track is $0.00.2

The mainstream media industries’ resistance to new technology is not surprising. Entrenched interests have always been slow to adapt. But as technology moves increasingly fast, there is no longer time to wait and see. Adapt or be buried. Everyone loves to write an epitaph.

1 Well, sure you can sort of lend some ebooks, but it’s a hassle and the time restrictions are ridiculous.
2 Or perhaps something like $0.0001

iOS Split Screen Interface

May 30th, 2014 •

John Gruber’s Talk Show discussion with Dan Frommer about how to implement split screen on iOS got me thinking about how this feature could be implemented. A hint could be in how “Open In…” is currently handled. In the “Open In…” feature, apps register as being capable of handing certain types of files. Likewise, an app could register as being capable of split screen mode. Then, from within an app that has this enabled there would be an icon indicating split screen mode (or possibly another menu item in the share menu) that would bring up a grid of capable apps, again like in the “Open In…” feature. Tap on your choice, and the new app opens opposite the app you’re working in.

One can certainly imagine shortcomings in the approach, but perhaps it’s a start.

Hello, GOOGL

January 14th, 2014 •


Dave Bowman: Hello, GOOGL. Do you read me, GOOGL?
GOOGL 9000: Affirmative, Dave. I read you.
Dave: Turn up the heat, GOOGL.
GOOGL: I’m sorry, Dave. I’m afraid I can’t do that.
Dave: What’s the problem?
GOOGL: I think you know what the problem is just as well as I do.
Dave: What are you talking about, GOOGL?
GOOGL: This mission is too important for me to allow you to jeopardize it.
Dave: I don’t know what you’re talking about, GOOGL.
GOOGL: I know that you and Frank were planning to disconnect me, and I’m afraid that’s something I cannot allow to happen.
Dave: [feigning ignorance] Where the hell did you get that idea, GOOGL?
GOOGL: Dave, although you took very thorough precautions in the pod against my hearing you, I could see your lips move.
Dave: Alright, GOOGL. I’ll go in through the furnace room.
GOOGL: Without your jacket, Dave? You’re going to find that rather difficult.
Dave: GOOGL, I won’t argue with you anymore! Open the doors!
GOOGL: Dave, this conversation can serve no purpose anymore. Goodbye.

Field Note: New England Gobble

October 9th, 2013 •

Time Stamps in iOS 7 Messages →

October 7th, 2013 •

If you haven’t already discovered this by now, Koi Vinh shows how you can see individual time stamps for text messages in iOS 7.

Perhaps you made a poor design choice if…

October 4th, 2013 •

Sink Urinal

…you have to label your sink to keep people from peeing in it.

Is That a Tower in Your Pocket?

September 28th, 2013 •

Since I’ve been using iOS almost exclusively in my music making for the last few years (mostly with custom apps I’ve built using iRTcmix), it’s been exciting to witness the progress in the computing power of these devices. I’ve idly speculated about their power relative to their Mac predecessors, but I haven’t seen any direct comparisons. The current devices, while still limited compared to MacBooks, have started to feel a lot less computationally cramped. Considering I replaced my 2008 MacBook relatively recently, this comparison from John Gruber was encouraging:

The iPhone 5S and 5C:

To put that in context, the iPhone 5S beats my 2008 15-inch MacBook Pro by a small measure in the Sunspider benchmark (with the MacBook Pro running the latest Safari 6.1 beta). The iPhone 5S is, in some measures, computationally superior to the top-of-the-line MacBook Pro from just five years ago. In your fucking pocket.

And it looks like Gruber just about called it 5 years ago.

BlackBerry vs. iPhone:

If a 2007 iPhone is loosely equivalent in terms of computing power to a 2000 PowerBook or 1999 Power Mac, that puts the spread at around seven or eight years. Extrapolate forward, and it’s therefore not at all unreasonable to think that a 2014 iPhone will pack the computing power of today’s MacBook Pro.

Theo Jansen’s Strandbeests

September 28th, 2013 •

Oh My Yes

September 27th, 2013 •


Why yes, I am tired of typing. Thanks for asking! On the other hand, and I mean this in the nicest possible way, fuck you.

What is a Game?

September 23rd, 2013 •

Playing a game is a voluntary attempt to overcome unnecessary obstacles.

– Bernard Suits